A Vow of Glory (The Sorcerer's Ring, Book 5) by Morgan Rice

By Morgan Rice

In A VOW OF GLORY (Book #5 within the Sorcerer's Ring), Thor embarks together with his Legion associates on an epic quest into the big wilds of the Empire to aim to discover the traditional future Sword and keep the hoop. Thor's friendships deepen, as they trip to new locations, face unforeseen monsters and struggle part by means of facet in unbelievable conflict. They come upon unique lands, creatures and peoples past which they can have ever imagined, each one step in their trip fraught with expanding threat. they're going to need to summon all their talents in the event that they are to outlive as they stick with the path of the thieves, deeper and deeper into the Empire. Their quest will carry all of them the way in which into the center of the Underworld, one of many seven geographical regions of hell, the place the undead rule and fields are covered with bones. As Thor needs to summon his powers, greater than ever, he struggles to appreciate the character of who he is.

Back within the Ring, Gwendolyn needs to lead 1/2 King's court docket to the Western stronghold of Silesia, an old urban perched at the fringe of the Canyon that has stood for a thousand years. Silesia's fortifications have allowed it to outlive each assault all through each century—but it hasn't ever been confronted with an attack by means of a pace-setter like Andronicus, via a military like his million males. Gwendolyn learns what it skill to be queen as she takes on a management function, Srog, Kolk, Brom, Steffen, Kendrick and Godfrey by means of her part, getting ready to protect the town for the big struggle to come.

Meanwhile, Gareth is descending deeper into insanity, attempting to fend off a coup that will have him assassinated in King's courtroom, whereas Erec fights for his lifestyles to save lots of his love, Alistair and the Duke's urban of Savaria because the downed protect permits the wild creatures to invade. And Godfrey, wallowing in drink, should come to a decision if he's able to get rid of his earlier and turn into the fellow his kin expects him to be.

As all of them struggle for his or her lives and as issues appear as though they can't get any worse, the tale ends with stunning twists.

Will Gwendolyn live on the attack? Will Thor continue to exist the Empire? Will the future Sword be came upon?

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Extra resources for A Vow of Glory (The Sorcerer's Ring, Book 5)

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Now I know I can shine my light and find my way back home”). As much as Ally and others and we the audience disparage Tracey’s ludicrous tactics, they work in this universe. Music does not have to form logical linkages to be practical in this world. Although in Ally music may be effective, it may take a while to get the hang of using musical tactics, especially in the face of real obstacles. The characters hope that life will proceed like a romantic song, but that song is frequently interrupted by everyday opposition.

If the characters choose the spotlight, they must step out of the everyday world. Professionals may visit the Ally world. They may even serve as useful fantasy icons to help characters motivate themselves. But they occupy a liminal position: in the story world but not participating fully in plotlines; outside the story world but able to Practical Music, Personal Fantasy 39 tinker with the main characters’ thoughts. Vonda Shepard’s liminality helps her music serve a large number of narrative functions (character-based and formal), but this flexibility and professional status also limits her participation in a community built around amateur everyday performance.

Smith her music serves, she is less a particular singing character or even the musical voice of the protagonist, though she is all that. 70 Because Shepard is everywhere, because she serves so many functions usually reserved for a narrator, she is somewhat tangential to the dramatic action at any given moment. Characters almost never speak to Shepard. They sing with her, and they refer to her, but her actions have no impact on the plot itself. Usually it is as if she is at a reserved distance from the characters, even when she occupies the same space.

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